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We will move in triangular formations and step on each other's feet.
Archive for November, 2011

Today, November 26, between noon and 6pm we met in Konsthall C for an intra-feminist discussion departing from Lee H. Jones.

Present:
Nasim Aghili, editor and publisher of the queer feminist art magazine Ful
Helena Lindblom, editor the queer feminist art magazine Ful
Athena Farrokhzad, poet and critic
Ylva Habel, Assistant Professor, Research fellow at Södertörn Högskola and member of the organization TRYCK
Josette Bushell-Mingo, director, actor and member of the organization TRYCK
YES! Association / Föreningen JA!, presented by artists Malin Arnell, Åsa Elzén and Johanna Gustavsson

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Here you can read the Russian translation of Will Open a New Front – lecture by Lee H. Jones >> We Will Open a New Front – lecture by Lee H, Russian.PDF

Read more about We Will Open a New Front – lecture by Lee H. Jones here >>

Poster We Will Open a New Front – lecture by Lee H. Jones, English.PDF

Poster We Will Open a New Front - lecture by Lee H. Jones. Design: Studio SM

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Chisinau Circumvention – art and social progress in peripheral regions
8-10th of November, 2011

Conference, Chisinau, The Republic of Moldova
State University, str. A. Mateevici 60, Main Building, Conference Room – 511, November 9th and 10th 2011, 11-18

Åsa Elzén will give a talk about work of YES! Association / Föreningen JA! at the conference Chisinau Circumvention – art and social progress in peripheral regions in Chisinau, The Republic of Moldavia. In conjunction with the conference there will be an exhibition, by the artists of the conference curated by Stefan Rusu and Martin Schibli, opening at ArtHotel (Gh. Asachi str. nr. 53/1, lit. “A”, Chisinau) and Flat Space (Bucuresti 68, Chisinau) at 16.00 on Tuesday 8th of November.

PRESSRELEASE, English.PDF

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  • YES! Association / Föreningen JA! was an art collective, an artwork, an association, an art worker, an institution, a group of people working to overthrow the ruling system of heteronormative, patriarchal, racist, and capitalist power structures by putting into practice a structural redistribution of access to financial resources, space and time within the (art) field.
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